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À l’heure de leur retour en force en librairie, le film confronte ces visions en miroir de nos sociétés démocratiques surveillées. \n \n \n \n Avant l’ère de la surveillance généralisée, des fake news ou des bébés sur mesure, deux romans d’anticipation du XXe siècle ont alerté sur les dérives des sociétés démocratiques : Le meilleur des mondes d’Aldous Huxley et 1984 de George Orwell, parus respectivement en 1932 et 1949. Écrits par deux Anglais, qui se croisent en 1917 au chic collège d’Eton − le premier, professeur dandy, y enseignait le français au second, Eric Blair de son vrai nom, boursier égaré dans l’institution −, ces livres mettent en scène des dystopies également cauchemardesques mais foncièrement divergentes. Quand Le meilleur des mondes annonce une aliénation consentie au travers d’une civilisation hédoniste, consumériste et eugéniste dans une Londres futuriste, 1984 dénonce la surveillance systématisée d’un régime totalitaire, sous l’œil terrifiant − et faussement rassurant − de "Big Brother". Si George Orwell a lu avec passion le roman de son aîné, l’ancien combattant du POUM (Parti ouvrier d’unification marxiste) en Catalogne pendant la guerre d’Espagne a été marqué par la violence et la propagande des fascismes en Europe comme du stalinisme en URSS. Issu d’une famille nantie de scientifiques et frère d’un biologiste eugéniste, Huxley, à son tour, jugera le livre d’Orwell "profondément important", mais ne partagera pas sa vision de l’avenir, qui ne peut, selon lui, se réduire à "une botte dans un visage". L'un redoute une dictature scientiste qui, en s’appuyant sur les biotechnologies, asservirait des individus programmés, quand l’autre imagine un État bureaucratique et répressif qui confisquerait la liberté de penser et la mémoire. \n \n Monstre hybride \n En confrontant les versions du "monde d’après" d’Aldous Huxley et de George Orwell, comme les itinéraires respectifs des deux écrivains, ce documentaire montre combien leurs œuvres visionnaires, qui ont en commun la manipulation du langage et la falsification de l’histoire, rencontrent les enjeux glaçants du monde contemporain, sorte de monstre hybride à la croisée de leurs romans. Éclairée par les analyses de critiques, d’écrivains (Boualem Sansal) et de philosophes (Cynthia Fleury), comme de l’émouvant témoignage du fils adoptif de George Orwell, Richard Blair, une relecture opportune, au temps de la surconsommation, des caméras à reconnaissance faciale, des réseaux sociaux ou encore des éructations de Donald Trump qui martèle : "Ce que vous voyez et lisez n’est pas la vérité." 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À l’heure de leur retour en force en librairie, le film confronte ces visions en miroir de nos sociétés démocratiques surveillées. \n \n \n \n Avant l’ère de la surveillance généralisée, des fake news ou des bébés sur mesure, deux romans d’anticipation du XXe siècle ont alerté sur les dérives des sociétés démocratiques : Le meilleur des mondes d’Aldous Huxley et 1984 de George Orwell, parus respectivement en 1932 et 1949. Écrits par deux Anglais, qui se croisent en 1917 au chic collège d’Eton − le premier, professeur dandy, y enseignait le français au second, Eric Blair de son vrai nom, boursier égaré dans l’institution −, ces livres mettent en scène des dystopies également cauchemardesques mais foncièrement divergentes. Quand Le meilleur des mondes annonce une aliénation consentie au travers d’une civilisation hédoniste, consumériste et eugéniste dans une Londres futuriste, 1984 dénonce la surveillance systématisée d’un régime totalitaire, sous l’œil terrifiant − et faussement rassurant − de "Big Brother". Si George Orwell a lu avec passion le roman de son aîné, l’ancien combattant du POUM (Parti ouvrier d’unification marxiste) en Catalogne pendant la guerre d’Espagne a été marqué par la violence et la propagande des fascismes en Europe comme du stalinisme en URSS. Issu d’une famille nantie de scientifiques et frère d’un biologiste eugéniste, Huxley, à son tour, jugera le livre d’Orwell "profondément important", mais ne partagera pas sa vision de l’avenir, qui ne peut, selon lui, se réduire à "une botte dans un visage". L'un redoute une dictature scientiste qui, en s’appuyant sur les biotechnologies, asservirait des individus programmés, quand l’autre imagine un État bureaucratique et répressif qui confisquerait la liberté de penser et la mémoire. \n \n Monstre hybride \n En confrontant les versions du "monde d’après" d’Aldous Huxley et de George Orwell, comme les itinéraires respectifs des deux écrivains, ce documentaire montre combien leurs œuvres visionnaires, qui ont en commun la manipulation du langage et la falsification de l’histoire, rencontrent les enjeux glaçants du monde contemporain, sorte de monstre hybride à la croisée de leurs romans. Éclairée par les analyses de critiques, d’écrivains (Boualem Sansal) et de philosophes (Cynthia Fleury), comme de l’émouvant témoignage du fils adoptif de George Orwell, Richard Blair, une relecture opportune, au temps de la surconsommation, des caméras à reconnaissance faciale, des réseaux sociaux ou encore des éructations de Donald Trump qui martèle : "Ce que vous voyez et lisez n’est pas la vérité." 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"https://mediasarte.mednum.lab.arte.tv/mednum/prod/medias/thumbs/5f/a9/5fa912596b446.jpeg" ] ] ] "_support" => array:2 [ "identifier" => "464d7f47-8479-4ccb-a6eb-884a2b4f35c4" "terms" => array:1 [ 0 => array:2 [ "identifier" => "6e51cea4-7c26-44df-900c-78a88aa6d031" "templateExpression" => "Ressource numérique" ] ] ] "entityState" => "VALIDATED" "provider" => "MEDIATHEQUE_NUMERIQUE" "_lastUpdatedDate" => "2024-12-26T01:39:10.074698" "_lastUpdatedBy" => "system" "_lastModifiedDate" => "2024-12-26T01:39:23.077" "identifier" => "f41ed96d-e998-47b4-9759-c47fd96e27d1" "workSpace" => array:2 [ "identifier" => "32ac4a6f-d678-4278-8f41-88a89cd95335" "label" => "0-Espace par défaut" ] "lastUpdatedDate#date" => "2024-12-26T01:39:10.074698" "entityType" => "manifestations" "_lastModifiedBy" => "system" "workflowStep" => array:3 [ "identifier" => "5ade580d-3375-4e3c-bb59-c24abe35ae31" "label" => "Importé (ArteVOD)" "terminal" => false ] "carrierType" => array:1 [ 0 => array:3 [ "entityWithQualif" => "632cc668-bff6-4a09-b689-5dfe61b15709#2c960807-ac69-4303-a20c-0ba85401bd88" "qualif" => array:2 [ "identifier" => "2c960807-ac69-4303-a20c-0ba85401bd88" "terms" => array:1 [ 0 => array:3 [ "identifier" => "30938b8b-37f6-4322-8883-a191d2129e55" "templateExpression" => "Type de support matériel" "lang" => "CONCEPT-fr" ] ] ] "entity" => array:7 [ "identifier" => "632cc668-bff6-4a09-b689-5dfe61b15709" "enPreferredTerm" => "ressource dématérialisée" "templateExpression" => null "terms" => array:1 [ 0 => array:3 [ "identifier" => "ffe2a157-a2ed-4a43-b977-d232867c2993" "templateExpression" => "ressource dématérialisée" "isPreferredTerm" => true ] ] "frPreferredTerm" => "ressource dématérialisée" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "ressource dématérialisée" ] ] ] ] "titleOfManifestation" => array:1 [ 0 => "George Orwell, Aldous Huxley : "1984" ou "Le meilleur des mondes" ?" ] "mediaType" => array:1 [ 0 => array:3 [ "entityWithQualif" => "42c30ea4-e49a-42a2-ba47-acf74f2c16ad#842ff788-7988-41a7-a123-6764186e3383" "qualif" => array:2 [ "identifier" => "842ff788-7988-41a7-a123-6764186e3383" "terms" => array:1 [ 0 => array:2 [ "identifier" => "9fab2718-692b-4f31-8788-96a32edd42ee" "templateExpression" => "Type de médiation" ] ] ] "entity" => array:7 [ "identifier" => "42c30ea4-e49a-42a2-ba47-acf74f2c16ad" "enPreferredTerm" => "électronique" "templateExpression" => null "terms" => array:1 [ 0 => array:3 [ "identifier" => "983c0d52-5c38-4e58-b5d6-f74f20a431f7" "templateExpression" => "électronique" "isPreferredTerm" => true ] ] "frPreferredTerm" => "électronique" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "électronique" ] ] ] ] "compositeOfProductionOfManifestation" => array:1 [ 0 => array:3 [ "dateOfProduction" => array:1 [ 0 => "01/01/2019" ] "placeOfProduction" => array:1 [ 0 => array:3 [ "entityWithQualif" => "cc9153f4-b69a-4bd7-abe5-c108c7522db1#9ca9b508-b68d-4ac8-b5d4-f6ec540bcc91" "qualif" => array:2 [ "identifier" => "9ca9b508-b68d-4ac8-b5d4-f6ec540bcc91" "terms" => array:1 [ 0 => array:3 [ "identifier" => "bbebd0e7-77da-4646-b4ae-8cf85fce1c8d" "templateExpression" => "Lieu de publication" "lang" => "CONCEPT-fr" ] ] ] "entity" => array:7 [ "identifier" => "cc9153f4-b69a-4bd7-abe5-c108c7522db1" "enPreferredTerm" => "Frankfurt am Main" "templateExpression" => null "terms" => array:2 [ 0 => array:5 [ "identifier" => "1667bb4a-9369-48d4-b3fc-e98696c1f070" "templateExpression" => "Frankfurt am Main" "localisation" => array:2 [ 0 => "Hesse" 1 => "Allemagne" ] "libelle" => array:1 [ 0 => "Frankfurt am Main" ] "isPreferredTerm" => true ] 1 => array:5 [ "identifier" => "0bd0dde5-7251-4b9c-8b33-39e217dbf53b" "templateExpression" => "Francofordia" "localisation" => array:1 [ 0 => "Hesse" ] "libelle" => array:1 [ 0 => "Francofordia" ] "isPreferredTerm" => false ] ] "frPreferredTerm" => "Frankfurt am Main" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "Frankfurt am Main" ] ] ] ] "dateOfProduction#date" => array:1 [ 0 => "2019-01-01" ] ] ] "framework" => array:4 [ "identifier" => "f4f85fa7-a659-4ec0-8c47-520a2778833a" "code" => "DOC" "name" => "Grille de catalogage" "type" => "CATALOGING" ] "entityRelation" => array:2 [ "parent" => "f63956bf-66c8-4957-a534-cbe66e5030d5" "name" => "manifestations" ] "updatable" => true "suggestions" => array:1 [ 0 => "George Orwell, Aldous Huxley : 1984 ou Le meilleur des mondes ?" ] "originalId" => "46917" "_dateOfPublicationOfManifestation" => "2020-11-11" ] "exemplaires" => [] "template_notice" => """ {{dump()}}\n \n <div class="opac template_notice">\n {% set work = element.work %}\n {% set workId = work.identifier %}\n {% set frameworkId = work.framework.identifier %}\n \t\n \t{# TITRE NOTICE #}\n \t<div class ="notice_titre">\n \t\t{% set titreExpression = property_values(element.expression, "titleOfExpression") %}\n \t\t{% if titreExpression|length > 0 %}\n \t\t\t{{ drupal_block('disp_block', {entity:element.expression, property:"titleOfExpression"}) }}\n \t\t{% else %}\n \t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"titleOfWork"}) }}\n \t\t\t{% set complementTitre = property_values(element.work, "complementTitreOeuvre") %}\n \t\t\t{% if complementTitre|length > 0 and complementTitre[0]|lower == "roman" %}\n \t\t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"complementTitreOeuvre"}) }}\n \t\t\t{% endif %}\t\n \t\t\t{% set titrePartie = property_values(element.work, "titrePartieOeuvre") %}\n \t\t\t{% if titrePartie|length > 0 %}\n \t\t\t\t-\n \t\t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"titrePartieOeuvre"}) }}\n \t\t\t{% endif %}\t\n \t\t{% endif %}\n \t</div>\n \t\n \t{# AUTEUR NOTICE #}\n \t<div class ="notice_auteur text-underline">\n \t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, linkNumber:"2"}) }}\n \t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToCorporateBodyOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, linkNumber:"2"}) }}\n \t</div>\n \t\n \t<div class="notice_content responsive-flex-row-to-col">\n \t\t{% if element.manifestation %}\n \t\t\t<div class="notice_left display-flex-col row-gap-0-5">\n \t\t\t\t\n \t\t\t\t{# VIGNETTE NOTICE #}\n \t\t\t\t{{ drupal_block('cover_block', {entityId:element.manifestation.identifier, entityType:"manifestation", class:"vignette_notice"}) }}\n \t\t\t\t\n \t\t\t\t{# TYPE D'OEUVRE #}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.expression, property:"newTypeOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"localCarrierType", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\t\n \t\t\t\t{# TAGS #}\n \t\t\t\t{{ drupal_block('novelty_block', { work:work, class:'search_result_novelty' }) }}\n \n \t\t\t</div>\n \t\t\t\n \t\t\n \t\t\t<div class="notice_right flex-1 display-flex-col row-gap-1">\n \t\t\t\t\n \t\t\t\t{# RESUME NOTICE #}\n \t\t\t\t{% if property_values(element.expression, "summarizationOfContent")|length > 0 %}\n \t\t\t\t\t{{ drupal_block('disp_block', {entity:element.expression, property:"summarizationOfContent", type:"html"}) }}\n \t\t\t\t{% endif %}\n \t\t\t\t\n \t\t\t\t{# MANIFESTATIONS #}\n \t\t\t\t<div class="manifestations">\n \t\t\t\t\t\t\n \t\t\t\t\t{# MANIFESTATION SELECTIONNEE #}\n \t\t\t\t\t<div class="manifestation">\n \t\t\t\t\t\t{% set manifestation = element.document.manifestation %}\n \t\t\t\t\t\t{% set exemplaires = pool_items(element.document.items) %}\n \t\t\t\t\t\t{% include(template_from_string(element.template_manifestation)) %}\n \t\t\t\t\t</div>\t\t\n \t\t\t\t\t\n \t\t\t\t\t{# AUTRES MANIFESTATIONS #}\n \t\t\t\t\t{% if element.documentsOfManifestations|length > 0 %}\n \t\t\t\t\t\t<div class="autres_manifestations">\n \t\t\t\t\t\t\t<p><b> Autres formats et éditions </b></p>\n \t\t\t\t\t\t\t<ul class="display-flex-col row-gap-1">\n \t\t\t\t\t\t\t{% set maxNb = 2 %}\n \t\t\t\t\t\t\t{% set break = false %}\n \t\t\t\t\t\t\t{% for document in element.documentsOfManifestations if not break %}\n \t\t\t\t\t\t\t\t\t{% set manifestation = document.manifestation %}\n \t\t\t\t\t\t\t\t\t{% set exemplaires = pool_items(document.items) %}\n \t\t\t\t\t\t\t\t{% if loop.index - 1 < maxNb %}\n \t\t\t\t\t\t\t\t\t<li>{{ include(template_from_string(element.template_manifestation)) }}</li>\n \t\t\t\t\t\t\t\t{% else %}\n \t\t\t\t\t\t\t\t\t{% set break = true %}\n \t\t\t\t\t\t\t\t\t<div><a class="use-ajax" href="/show-more-manifestations-dialog/{{workId}}?expressionId={{expressionId}}&frameworkId={{frameworkId}}&size=12&title=Tous les formats et éditions"> Afficher tous les formats et éditions (+{{element.totalManifestations - maxNb - 1}}) > </a></div>\n \t\t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% endfor %}\n \t\t\t\t\t\t\t</ul>\n \t\t\t\t\t\t</div>\n \t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\n \t\t\t\t</div>\n \t\t\t\t\n \t\t\t\t\t\t\t\n \t\t\t\t{# AUTRES EXPRESSIONS #}\t\n \t\t\t\t{% if element.documentsOfExpressions|length > 0 %}\n \t\t\t\t\t<div class="autres_expressions">\n <p><b> Autres versions </b></p>\n \t\t\t\t\t\t<ul class="display-flex col-gap-1">\n \t\t\t\t\t\t\t{% set maxNb = 2 %}\n \t\t\t\t\t\t\t{% set break = false %}\n \t\t\t\t\t\t{% for documents in element.documentsOfExpressions if not break %}\n \t\t\t\t\t\t\t{% set expression = documents[0].expression %}\n \t\t\t\t\t\t\t{% if loop.index - 1 < maxNb %}\n \t\t\t\t\t\t\t{% set opacUrl = "/opac?workId="~workId~"&expressionId="~expression.identifier %}\n \t\t\t\t\t\t\t\t<li class="flex-0-5"><a href="{{opacUrl}}"><div class="opac_linked_card">{{ include(template_from_string(element.template_expression)) }}</div></a></li>\n \t\t\t\t\t\t\t{% else %}\n \t\t\t\t\t\t\t\t{% set break = true %}\n \t\t\t\t\t\t\t\t<div><a class="use-ajax" href="/show-more-expressions-dialog/{{workId}}?frameworkId={{frameworkId}}&size=12&title=Toutes les versions"> Afficher toutes les versions (+{{element.totalExpressions - maxNb}}) ></a></div>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t{% endfor %}\n \t\t\t\t\t\t</ul>\n \t\t\t\t\t</div> \n \t\t\t\t{% endif %}\n \n \t\t\t\t{{dump(element.work)}}\n \t\t\t\t{{dump(element.expression)}}\n \t\t\t\t{{dump(element.manifestation)}}\n \t\t\n \t\t\t\t{# ACCORDEON INFOS MANIFESTATION#}\n \t\t\t\t<div class="syrtis-accordion accordion_generic notice_accordion notice_accordion_infos">\n \t\t\t\t\t<div class="accordion_generic_section active"> Infos complémentaires </div>\n \t\t\t\t\t<div class="accordion_generic_panel active">\n \t\t\t\t\t\t<div class="accordion_generic_panel_container">\n \t\t\t\t\t\t\t<ul class="display-flex opac_responsive_4_columns">\n \t\t\t\t\t\t\t{% if property_values(element.work, "originalLanguageOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"originalLanguageOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% if property_values(element.work, "compositeLinkToCreatorOfWork.linkToPersonOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:true, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.work, "linkToCorporateBodyOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"linkToCorporateBodyOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "linkToPersonOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"linkToPersonOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "linkToCorporateBodyOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"linkToCorporateBodyOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "linkToContributorPersonToManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"linkToContributorPersonToManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "linkToContributorCOrporateBodyToManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"linkToContributorCOrporateBodyToManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "intendedAudienceOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"intendedAudienceOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "languageOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"languageOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "duration")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('disp_block', {entity:element.expression, property:"duration", propertyLabel:"Durée", class:"display-flex-col" }) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "compositeOfPhysicalDescriptionOfManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"compositeOfPhysicalDescriptionOfManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "contentManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"contentManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t</ul>\t\t\t\t\t\t\t\n \t\t\t\t\t\t</div>\n \t\t\t\t\t</div>\n \t\t\t\t</div>\t\n \t\t\t</div>\n \t\t{% else %}\n \t\t\t\n \t\t\t{# INFOS SERIE#}\n \n \t\t\t<div class="display-flex col-gap-1 row-gap-1 flex-wrap">\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:true, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t</div>\n \t\t\t\n \t\t{% endif %}\n \t\t\n \t</div>\n \t\n \t{# LIENS VERS LES PARTIES D'UNE SERIE #}\n \t{% if not manifestation %}\n \t\t{{ drupal_block('relation_block', {entityId: workId, entityType:"work", frameworkProperty:"linkToPartOfWork", sortFrameworkProperty:"numberingOfPart" }) }}\n \t{% endif %}\n \t\n \t{# BLOC OEUVRE LIEES #}\n \t{% if element.manifestation and element.search %}\n \t\t{{ drupal_block('search_results_block', {args: {blocks: [{type: "complete", title: "Oeuvres liées", linkall: "Voir toutes les oeuvres et adaptations" }]}}) }}\n \t{% endif 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or provider == 'PNB' %}\n \t\t\t\t{% set extraits = property_values(manifestation, "compositeOfUrlOfManifestation") %}\n \t\t\t\t{% if extraits|length > 0 %}\n \t\t\t\t\t{% set extraitUrls = property_values(extraits[0], "uniformResourceLocator") %}\n \t\t\t\t\t{% set extraitTitles = property_values(extraits[0], "titleLinkOfUrlOfManifestation") %}\n \t\t\t\t\t{% if extraitUrls|length > 0 %}\n \t\t\t\t\t\t{% set extraitTitle = extraitTitles|length > 0 ? extraitTitles[0] : "Consulter l'extrait" %}\n \t\t\t\t\t\t<div class="preview_link"><a class="button primary_button_transparent square_button" target="_blank" href="{{extraitUrls[0]}} "> {{extraitTitle|trans}} </a></div>\n \t\t\t\t\t{% endif %}\n \t\t\t\t{% endif %}\n \t\t\t{% else %}\n \t\t\t\t{% set extraits = property_values(manifestation, "compositeUrlenrichissementOfManifestation") %}\n \t\t\t\t{% if extraits|length > 0 %}\n \t\t\t\t\t{% set extraitUrls = property_values(extraits[0], "urlOfEnrichissement") %}\n \t\t\t\t\t{% set 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George Orwell, Aldous Huxley : "1984" ou "Le meilleur des mondes" ?
Calderon Philippe
Benarrosh Caroline
Ressource numérique
Romans cultes d’anticipation, 1984 d'Orwell et Le meilleur des mondes de Huxley mettent en scène le contrôle des masses par le totalitarisme et celui par l’abondance. À l’heure de leur retour en force en librairie, le film confronte ces visions en miroir de nos sociétés démocratiques surveillées.
Avant l’ère de la surveillance généralisée, des fake news ou des bébés sur mesure, deux romans d’anticipation du XXe siècle ont alerté sur les dérives des sociétés démocratiques : Le meilleur des mondes d’Aldous Huxley et 1984 de George Orwell, parus respectivement en 1932 et 1949. Écrits par deux Anglais, qui se croisent en 1917 au chic collège d’Eton − le premier, professeur dandy, y enseignait le français au second, Eric Blair de son vrai nom, boursier égaré dans l’institution −, ces livres mettent en scène des dystopies également cauchemardesques mais foncièrement divergentes. Quand Le meilleur des mondes annonce une aliénation consentie au travers d’une civilisation hédoniste, consumériste et eugéniste dans une Londres futuriste, 1984 dénonce la surveillance systématisée d’un régime totalitaire, sous l’œil terrifiant − et faussement rassurant − de "Big Brother". Si George Orwell a lu avec passion le roman de son aîné, l’ancien combattant du POUM (Parti ouvrier d’unification marxiste) en Catalogne pendant la guerre d’Espagne a été marqué par la violence et la propagande des fascismes en Europe comme du stalinisme en URSS. Issu d’une famille nantie de scientifiques et frère d’un biologiste eugéniste, Huxley, à son tour, jugera le livre d’Orwell "profondément important", mais ne partagera pas sa vision de l’avenir, qui ne peut, selon lui, se réduire à "une botte dans un visage". L'un redoute une dictature scientiste qui, en s’appuyant sur les biotechnologies, asservirait des individus programmés, quand l’autre imagine un État bureaucratique et répressif qui confisquerait la liberté de penser et la mémoire.
Monstre hybride
En confrontant les versions du "monde d’après" d’Aldous Huxley et de George Orwell, comme les itinéraires respectifs des deux écrivains, ce documentaire montre combien leurs œuvres visionnaires, qui ont en commun la manipulation du langage et la falsification de l’histoire, rencontrent les enjeux glaçants du monde contemporain, sorte de monstre hybride à la croisée de leurs romans. Éclairée par les analyses de critiques, d’écrivains (Boualem Sansal) et de philosophes (Cynthia Fleury), comme de l’émouvant témoignage du fils adoptif de George Orwell, Richard Blair, une relecture opportune, au temps de la surconsommation, des caméras à reconnaissance faciale, des réseaux sociaux ou encore des éructations de Donald Trump qui martèle : "Ce que vous voyez et lisez n’est pas la vérité."
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À l’heure de leur retour en force en librairie, le film confronte ces visions en miroir de nos sociétés démocratiques surveillées. \n \n \n \n Avant l’ère de la surveillance généralisée, des fake news ou des bébés sur mesure, deux romans d’anticipation du XXe siècle ont alerté sur les dérives des sociétés démocratiques : Le meilleur des mondes d’Aldous Huxley et 1984 de George Orwell, parus respectivement en 1932 et 1949. Écrits par deux Anglais, qui se croisent en 1917 au chic collège d’Eton − le premier, professeur dandy, y enseignait le français au second, Eric Blair de son vrai nom, boursier égaré dans l’institution −, ces livres mettent en scène des dystopies également cauchemardesques mais foncièrement divergentes. Quand Le meilleur des mondes annonce une aliénation consentie au travers d’une civilisation hédoniste, consumériste et eugéniste dans une Londres futuriste, 1984 dénonce la surveillance systématisée d’un régime totalitaire, sous l’œil terrifiant − et faussement rassurant − de "Big Brother". Si George Orwell a lu avec passion le roman de son aîné, l’ancien combattant du POUM (Parti ouvrier d’unification marxiste) en Catalogne pendant la guerre d’Espagne a été marqué par la violence et la propagande des fascismes en Europe comme du stalinisme en URSS. Issu d’une famille nantie de scientifiques et frère d’un biologiste eugéniste, Huxley, à son tour, jugera le livre d’Orwell "profondément important", mais ne partagera pas sa vision de l’avenir, qui ne peut, selon lui, se réduire à "une botte dans un visage". L'un redoute une dictature scientiste qui, en s’appuyant sur les biotechnologies, asservirait des individus programmés, quand l’autre imagine un État bureaucratique et répressif qui confisquerait la liberté de penser et la mémoire. \n \n Monstre hybride \n En confrontant les versions du "monde d’après" d’Aldous Huxley et de George Orwell, comme les itinéraires respectifs des deux écrivains, ce documentaire montre combien leurs œuvres visionnaires, qui ont en commun la manipulation du langage et la falsification de l’histoire, rencontrent les enjeux glaçants du monde contemporain, sorte de monstre hybride à la croisée de leurs romans. Éclairée par les analyses de critiques, d’écrivains (Boualem Sansal) et de philosophes (Cynthia Fleury), comme de l’émouvant témoignage du fils adoptif de George Orwell, Richard Blair, une relecture opportune, au temps de la surconsommation, des caméras à reconnaissance faciale, des réseaux sociaux ou encore des éructations de Donald Trump qui martèle : "Ce que vous voyez et lisez n’est pas la vérité." 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Infos complémentaires
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Langue de l'expression :Français
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Durée : 00h52