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À partir d'une collection inédite de photos amateurs, le réalisateur y retrace de passionnants récits d'émancipation.\n \n \n \n Sur un plateau télé, quatre femmes sont alignées sur un canapé. Elles portent des diadèmes et des robes sexy. Hors champ, une voix masculine demande à la première : "Ce sont vos vrais cils ?" "Non", répond-elle. Puis la voix questionne une élégante blonde prénommée Simone : "Où avez-vous acheté cette robe ?" "Je l'ai faite moi-même", répond-elle. Face caméra désormais, le présentateur révèle que derrière ces "charmantes candidates" se cachent des hommes, donc des hors-la-loi. Par cette archive introductive, le réalisateur Sébastien Lifshitz pose d'emblée le contexte historique. Dans l'Amérique puritaine des années 1960, se travestir est un délit et une prise de risque énorme. C'est cette histoire secrète qu'il s'apprête à raconter : celle d'une communauté de travestis se réunissant régulièrement dans une maison isolée des Catskills, un havre montagneux de l'État de New York, pour y vivre librement leur identité féminine. Près de soixante ans plus tard, le réalisateur filme Kate et Diana, deux membres de la Casa Susanna, ce lieu d'affranchissement collectif qui a changé leur vie. Dans la lumière rasante d'une fin d'après-midi, face à la maison en bardage blanc encore debout, Kate raconte : "Pour la première fois, je pouvais parler de choses que je n'imaginais même pas." Diana se souvient, elle, de son émotion quand, à peine entrée dans la maison, elle se voit proposer une mise en pli. "Personne ne m'avait jamais coiffée. Gloria m'a offert des talons. Les gens me sifflaient. C'était incroyable à quel point ces petits plaisirs étaient palpitants."\n \n Vies parallèles\n Pendant dix ans, ces réunions clandestines ont été photographiées pour composer des albums-souvenirs à usage privé. Découverte par hasard par un couple d'antiquaires, l'exceptionnelle collection de photos amateurs qui a documenté ce phalanstère a permis de faire renaître en images ces séjours où, habillées en femmes chics de la ville, les habituées de la Casa Susanna s'organisaient une vie parallèle à l'écart d'un monde qui les réprimait. "Entre le CE2 et le CM1, je m'endormais en priant pour que je me réveille en fille", raconte Diana qui a grandi dans l'Iowa, élevée par une mère luthérienne pratiquante, considérant les travestis comme des malades à réparer à coup d'électrochocs. En croisant les points de vue, à travers les témoignages souvent poignants des protagonistes directs mais aussi de leurs descendants, Sébastien Lifshitz recompose le puzzle de cette poche de résistance passée sous silence et en révèle l'audace folle. 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À partir d'une collection inédite de photos amateurs, le réalisateur y retrace de passionnants récits d'émancipation.\n \n \n \n Sur un plateau télé, quatre femmes sont alignées sur un canapé. Elles portent des diadèmes et des robes sexy. Hors champ, une voix masculine demande à la première : "Ce sont vos vrais cils ?" "Non", répond-elle. Puis la voix questionne une élégante blonde prénommée Simone : "Où avez-vous acheté cette robe ?" "Je l'ai faite moi-même", répond-elle. Face caméra désormais, le présentateur révèle que derrière ces "charmantes candidates" se cachent des hommes, donc des hors-la-loi. Par cette archive introductive, le réalisateur Sébastien Lifshitz pose d'emblée le contexte historique. Dans l'Amérique puritaine des années 1960, se travestir est un délit et une prise de risque énorme. C'est cette histoire secrète qu'il s'apprête à raconter : celle d'une communauté de travestis se réunissant régulièrement dans une maison isolée des Catskills, un havre montagneux de l'État de New York, pour y vivre librement leur identité féminine. Près de soixante ans plus tard, le réalisateur filme Kate et Diana, deux membres de la Casa Susanna, ce lieu d'affranchissement collectif qui a changé leur vie. Dans la lumière rasante d'une fin d'après-midi, face à la maison en bardage blanc encore debout, Kate raconte : "Pour la première fois, je pouvais parler de choses que je n'imaginais même pas." Diana se souvient, elle, de son émotion quand, à peine entrée dans la maison, elle se voit proposer une mise en pli. "Personne ne m'avait jamais coiffée. Gloria m'a offert des talons. Les gens me sifflaient. C'était incroyable à quel point ces petits plaisirs étaient palpitants."\n \n Vies parallèles\n Pendant dix ans, ces réunions clandestines ont été photographiées pour composer des albums-souvenirs à usage privé. Découverte par hasard par un couple d'antiquaires, l'exceptionnelle collection de photos amateurs qui a documenté ce phalanstère a permis de faire renaître en images ces séjours où, habillées en femmes chics de la ville, les habituées de la Casa Susanna s'organisaient une vie parallèle à l'écart d'un monde qui les réprimait. "Entre le CE2 et le CM1, je m'endormais en priant pour que je me réveille en fille", raconte Diana qui a grandi dans l'Iowa, élevée par une mère luthérienne pratiquante, considérant les travestis comme des malades à réparer à coup d'électrochocs. En croisant les points de vue, à travers les témoignages souvent poignants des protagonistes directs mais aussi de leurs descendants, Sébastien Lifshitz recompose le puzzle de cette poche de résistance passée sous silence et en révèle l'audace folle. 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=> "Type de support matériel" "lang" => "CONCEPT-fr" ] ] ] "entity" => array:7 [ "identifier" => "632cc668-bff6-4a09-b689-5dfe61b15709" "enPreferredTerm" => "ressource dématérialisée" "templateExpression" => null "terms" => array:1 [ 0 => array:3 [ "identifier" => "ffe2a157-a2ed-4a43-b977-d232867c2993" "templateExpression" => "ressource dématérialisée" "isPreferredTerm" => true ] ] "frPreferredTerm" => "ressource dématérialisée" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "ressource dématérialisée" ] ] ] ] "titleOfManifestation" => array:1 [ 0 => "Casa Susanna" ] "mediaType" => array:1 [ 0 => array:3 [ "entityWithQualif" => "42c30ea4-e49a-42a2-ba47-acf74f2c16ad#842ff788-7988-41a7-a123-6764186e3383" "qualif" => array:2 [ "identifier" => "842ff788-7988-41a7-a123-6764186e3383" "terms" => array:1 [ 0 => array:2 [ "identifier" => "9fab2718-692b-4f31-8788-96a32edd42ee" "templateExpression" => "Type de médiation" ] ] ] "entity" => array:7 [ "identifier" => "42c30ea4-e49a-42a2-ba47-acf74f2c16ad" "enPreferredTerm" => "électronique" "templateExpression" => null "terms" => array:1 [ 0 => array:3 [ "identifier" => "983c0d52-5c38-4e58-b5d6-f74f20a431f7" "templateExpression" => "électronique" "isPreferredTerm" => true ] ] "frPreferredTerm" => "électronique" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "électronique" ] ] ] ] "compositeOfProductionOfManifestation" => array:1 [ 0 => array:3 [ "dateOfProduction" => array:1 [ 0 => "01/01/2022" ] "placeOfProduction" => array:1 [ 0 => array:3 [ "entityWithQualif" => "cc9153f4-b69a-4bd7-abe5-c108c7522db1#9ca9b508-b68d-4ac8-b5d4-f6ec540bcc91" "qualif" => array:2 [ "identifier" => "9ca9b508-b68d-4ac8-b5d4-f6ec540bcc91" "terms" => array:1 [ 0 => array:3 [ "identifier" => "bbebd0e7-77da-4646-b4ae-8cf85fce1c8d" "templateExpression" => "Lieu de publication" "lang" => "CONCEPT-fr" ] ] ] "entity" => array:7 [ "identifier" => "cc9153f4-b69a-4bd7-abe5-c108c7522db1" "enPreferredTerm" => "Frankfurt am Main" "templateExpression" => null "terms" => array:2 [ 0 => array:5 [ "identifier" => "1667bb4a-9369-48d4-b3fc-e98696c1f070" "templateExpression" => "Frankfurt am Main" "localisation" => array:2 [ 0 => "Hesse" 1 => "Allemagne" ] "libelle" => array:1 [ 0 => "Frankfurt am Main" ] "isPreferredTerm" => true ] 1 => array:5 [ "identifier" => "0bd0dde5-7251-4b9c-8b33-39e217dbf53b" "templateExpression" => "Francofordia" "localisation" => array:1 [ 0 => "Hesse" ] "libelle" => array:1 [ 0 => "Francofordia" ] "isPreferredTerm" => false ] ] "frPreferredTerm" => "Frankfurt am Main" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "Frankfurt am Main" ] ] ] ] "dateOfProduction#date" => array:1 [ 0 => "2022-01-01" ] ] ] "framework" => array:4 [ "identifier" => "f4f85fa7-a659-4ec0-8c47-520a2778833a" "code" => "DOC" "name" => "Grille de catalogage" "type" => "CATALOGING" ] "entityRelation" => array:2 [ "parent" => "e9996e7e-1820-496a-915d-7c804706d071" "name" => "manifestations" ] "updatable" => true "suggestions" => array:1 [ 0 => "Casa Susanna" ] "originalId" => "51847" "_dateOfPublicationOfManifestation" => "2023-10-02" ] "exemplaires" => [] "template_notice" => """ {{dump()}}\n \n <div class="opac template_notice">\n {% set work = element.work %}\n {% set workId = work.identifier %}\n {% set frameworkId = work.framework.identifier %}\n \t\n \t{# TITRE NOTICE #}\n \t<div class ="notice_titre">\n \t\t{% set titreExpression = property_values(element.expression, "titleOfExpression") %}\n \t\t{% if titreExpression|length > 0 %}\n \t\t\t{{ drupal_block('disp_block', {entity:element.expression, property:"titleOfExpression"}) }}\n \t\t{% else %}\n \t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"titleOfWork"}) }}\n \t\t\t{% set complementTitre = property_values(element.work, "complementTitreOeuvre") %}\n \t\t\t{% if complementTitre|length > 0 and complementTitre[0]|lower == "roman" %}\n \t\t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"complementTitreOeuvre"}) }}\n \t\t\t{% endif %}\t\n \t\t\t{% set titrePartie = property_values(element.work, "titrePartieOeuvre") %}\n \t\t\t{% if titrePartie|length > 0 %}\n \t\t\t\t-\n \t\t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"titrePartieOeuvre"}) }}\n \t\t\t{% endif %}\t\n \t\t{% endif %}\n \t</div>\n \t\n \t{# AUTEUR NOTICE #}\n \t<div class ="notice_auteur text-underline">\n \t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, linkNumber:"2"}) }}\n \t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToCorporateBodyOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, linkNumber:"2"}) }}\n \t</div>\n \t\n \t<div class="notice_content responsive-flex-row-to-col">\n \t\t{% if element.manifestation %}\n \t\t\t<div class="notice_left display-flex-col row-gap-0-5">\n \t\t\t\t\n \t\t\t\t{# VIGNETTE NOTICE #}\n \t\t\t\t{{ drupal_block('cover_block', {entityId:element.manifestation.identifier, entityType:"manifestation", class:"vignette_notice"}) }}\n \t\t\t\t\n \t\t\t\t{# TYPE D'OEUVRE #}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.expression, property:"newTypeOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"localCarrierType", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\t\n \t\t\t\t{# TAGS #}\n \t\t\t\t{{ drupal_block('novelty_block', { work:work, class:'search_result_novelty' }) }}\n \n \t\t\t</div>\n \t\t\t\n \t\t\n \t\t\t<div class="notice_right flex-1 display-flex-col row-gap-1">\n \t\t\t\t\n \t\t\t\t{# RESUME NOTICE #}\n \t\t\t\t{% if property_values(element.expression, "summarizationOfContent")|length > 0 %}\n \t\t\t\t\t{{ drupal_block('disp_block', {entity:element.expression, property:"summarizationOfContent", type:"html"}) }}\n \t\t\t\t{% endif %}\n \t\t\t\t\n \t\t\t\t{# MANIFESTATIONS #}\n \t\t\t\t<div class="manifestations">\n \t\t\t\t\t\t\n \t\t\t\t\t{# MANIFESTATION SELECTIONNEE #}\n \t\t\t\t\t<div class="manifestation">\n \t\t\t\t\t\t{% set manifestation = element.document.manifestation %}\n \t\t\t\t\t\t{% set exemplaires = pool_items(element.document.items) %}\n \t\t\t\t\t\t{% include(template_from_string(element.template_manifestation)) %}\n \t\t\t\t\t</div>\t\t\n \t\t\t\t\t\n \t\t\t\t\t{# AUTRES MANIFESTATIONS #}\n \t\t\t\t\t{% if element.documentsOfManifestations|length > 0 %}\n \t\t\t\t\t\t<div class="autres_manifestations">\n \t\t\t\t\t\t\t<p><b> Autres formats et éditions </b></p>\n \t\t\t\t\t\t\t<ul class="display-flex-col row-gap-1">\n \t\t\t\t\t\t\t{% set maxNb = 2 %}\n \t\t\t\t\t\t\t{% set break = false %}\n \t\t\t\t\t\t\t{% for document in element.documentsOfManifestations if not break %}\n \t\t\t\t\t\t\t\t\t{% set manifestation = document.manifestation %}\n \t\t\t\t\t\t\t\t\t{% set exemplaires = pool_items(document.items) %}\n \t\t\t\t\t\t\t\t{% if loop.index - 1 < maxNb %}\n \t\t\t\t\t\t\t\t\t<li>{{ include(template_from_string(element.template_manifestation)) }}</li>\n \t\t\t\t\t\t\t\t{% else %}\n \t\t\t\t\t\t\t\t\t{% set break = true %}\n \t\t\t\t\t\t\t\t\t<div><a class="use-ajax" href="/show-more-manifestations-dialog/{{workId}}?expressionId={{expressionId}}&frameworkId={{frameworkId}}&size=12&title=Tous les formats et éditions"> Afficher tous les formats et éditions (+{{element.totalManifestations - maxNb - 1}}) > </a></div>\n \t\t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% endfor %}\n \t\t\t\t\t\t\t</ul>\n \t\t\t\t\t\t</div>\n \t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\n \t\t\t\t</div>\n \t\t\t\t\n \t\t\t\t\t\t\t\n \t\t\t\t{# AUTRES EXPRESSIONS #}\t\n \t\t\t\t{% if element.documentsOfExpressions|length > 0 %}\n \t\t\t\t\t<div class="autres_expressions">\n <p><b> Autres versions </b></p>\n \t\t\t\t\t\t<ul class="display-flex col-gap-1">\n \t\t\t\t\t\t\t{% set maxNb = 2 %}\n \t\t\t\t\t\t\t{% set break = false %}\n \t\t\t\t\t\t{% for documents in element.documentsOfExpressions if not break %}\n \t\t\t\t\t\t\t{% set expression = documents[0].expression %}\n \t\t\t\t\t\t\t{% if loop.index - 1 < maxNb %}\n \t\t\t\t\t\t\t{% set opacUrl = "/opac?workId="~workId~"&expressionId="~expression.identifier %}\n \t\t\t\t\t\t\t\t<li class="flex-0-5"><a href="{{opacUrl}}"><div class="opac_linked_card">{{ include(template_from_string(element.template_expression)) }}</div></a></li>\n \t\t\t\t\t\t\t{% else %}\n \t\t\t\t\t\t\t\t{% set break = true %}\n \t\t\t\t\t\t\t\t<div><a class="use-ajax" href="/show-more-expressions-dialog/{{workId}}?frameworkId={{frameworkId}}&size=12&title=Toutes les versions"> Afficher toutes les versions (+{{element.totalExpressions - maxNb}}) ></a></div>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t{% endfor %}\n \t\t\t\t\t\t</ul>\n \t\t\t\t\t</div> \n \t\t\t\t{% endif %}\n \n \t\t\t\t{{dump(element.work)}}\n \t\t\t\t{{dump(element.expression)}}\n \t\t\t\t{{dump(element.manifestation)}}\n \t\t\n \t\t\t\t{# ACCORDEON INFOS MANIFESTATION#}\n \t\t\t\t<div class="syrtis-accordion accordion_generic notice_accordion notice_accordion_infos">\n \t\t\t\t\t<div class="accordion_generic_section active"> Infos complémentaires </div>\n \t\t\t\t\t<div class="accordion_generic_panel active">\n \t\t\t\t\t\t<div class="accordion_generic_panel_container">\n \t\t\t\t\t\t\t<ul class="display-flex opac_responsive_4_columns">\n \t\t\t\t\t\t\t{% if property_values(element.work, "originalLanguageOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"originalLanguageOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% if property_values(element.work, "compositeLinkToCreatorOfWork.linkToPersonOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:true, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.work, "linkToCorporateBodyOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"linkToCorporateBodyOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "linkToPersonOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"linkToPersonOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "linkToCorporateBodyOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"linkToCorporateBodyOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "linkToContributorPersonToManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"linkToContributorPersonToManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "linkToContributorCOrporateBodyToManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"linkToContributorCOrporateBodyToManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "intendedAudienceOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"intendedAudienceOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "languageOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"languageOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "duration")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('disp_block', {entity:element.expression, property:"duration", propertyLabel:"Durée", class:"display-flex-col" }) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "compositeOfPhysicalDescriptionOfManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"compositeOfPhysicalDescriptionOfManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "contentManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"contentManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t</ul>\t\t\t\t\t\t\t\n \t\t\t\t\t\t</div>\n \t\t\t\t\t</div>\n \t\t\t\t</div>\t\n \t\t\t</div>\n \t\t{% else %}\n \t\t\t\n \t\t\t{# INFOS SERIE#}\n \n \t\t\t<div class="display-flex col-gap-1 row-gap-1 flex-wrap">\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:true, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t</div>\n \t\t\t\n \t\t{% endif %}\n \t\t\n \t</div>\n \t\n \t{# LIENS VERS LES PARTIES D'UNE SERIE #}\n \t{% if not manifestation %}\n \t\t{{ drupal_block('relation_block', {entityId: workId, entityType:"work", frameworkProperty:"linkToPartOfWork", sortFrameworkProperty:"numberingOfPart" }) }}\n \t{% endif %}\n \t\n \t{# BLOC OEUVRE LIEES #}\n \t{% if element.manifestation and element.search %}\n \t\t{{ drupal_block('search_results_block', {args: {blocks: [{type: "complete", title: "Oeuvres liées", linkall: "Voir toutes les oeuvres et adaptations" }]}}) }}\n \t{% endif %} """ "template_manifestation" => """ <div class="opac template_manifestation responsive-flex-row-to-col opac_section">\n \t<div class="template_manifestation_left display-flex flex-1 col-gap-1">\n \t\t\n \t\t{# VIGNETTE MANIFESTATION #}\n \t\t{{ drupal_block('cover_block', {entityId:manifestation.identifier, entityType:"manifestation", class:"mini_vignette"}) }}\n \t\t\n \t\t<div class="template_manifestation_center flex-1">\n \t\t\t{# TYPE DE SUPPORT #}\n \t\t\t{{ drupal_block('link_disp_block', {entity:manifestation, property:"localCarrierType", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\n \t\t\t<div class="editeur display-flex col-gap-0-25">\n \t\t\t\t{# EDITEUR #}\n \t\t\t\t{% for publication in manifestation.compositeOfPublicationOfManifestation %}\n \t\t\t\t\t{{ drupal_block('link_disp_block', {entity:publication, property:"publisherCorporateBody", linkToSearch:"none", viewConceptLink:false, noLabel:true}) }}\n \t\t\t\t\t{% set collection = property_values(publication, "newCollecLabel") %}\n \t\t\t\t\t{% if collection|length > 0 %}\n \t\t\t\t\t\t- {{ drupal_block('disp_block', {entity:publication, property:"newCollecLabel"}) }}\n \t\t\t\t\t{% endif %}\n \t\t\t\t\t{% set 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Casa Susanna
Lifshitz Sébastien - 1968-....
Ressource numérique
Le documentariste Sébastien Lifshitz dévoile l'histoire restée secrète d'une communauté de travestis dans l'Amérique des années 1950-1960. À partir d'une collection inédite de photos amateurs, le réalisateur y retrace de passionnants récits d'émancipation.
Sur un plateau télé, quatre femmes sont alignées sur un canapé. Elles portent des diadèmes et des robes sexy. Hors champ, une voix masculine demande à la première : "Ce sont vos vrais cils ?" "Non", répond-elle. Puis la voix questionne une élégante blonde prénommée Simone : "Où avez-vous acheté cette robe ?" "Je l'ai faite moi-même", répond-elle. Face caméra désormais, le présentateur révèle que derrière ces "charmantes candidates" se cachent des hommes, donc des hors-la-loi. Par cette archive introductive, le réalisateur Sébastien Lifshitz pose d'emblée le contexte historique. Dans l'Amérique puritaine des années 1960, se travestir est un délit et une prise de risque énorme. C'est cette histoire secrète qu'il s'apprête à raconter : celle d'une communauté de travestis se réunissant régulièrement dans une maison isolée des Catskills, un havre montagneux de l'État de New York, pour y vivre librement leur identité féminine. Près de soixante ans plus tard, le réalisateur filme Kate et Diana, deux membres de la Casa Susanna, ce lieu d'affranchissement collectif qui a changé leur vie. Dans la lumière rasante d'une fin d'après-midi, face à la maison en bardage blanc encore debout, Kate raconte : "Pour la première fois, je pouvais parler de choses que je n'imaginais même pas." Diana se souvient, elle, de son émotion quand, à peine entrée dans la maison, elle se voit proposer une mise en pli. "Personne ne m'avait jamais coiffée. Gloria m'a offert des talons. Les gens me sifflaient. C'était incroyable à quel point ces petits plaisirs étaient palpitants."
Vies parallèles
Pendant dix ans, ces réunions clandestines ont été photographiées pour composer des albums-souvenirs à usage privé. Découverte par hasard par un couple d'antiquaires, l'exceptionnelle collection de photos amateurs qui a documenté ce phalanstère a permis de faire renaître en images ces séjours où, habillées en femmes chics de la ville, les habituées de la Casa Susanna s'organisaient une vie parallèle à l'écart d'un monde qui les réprimait. "Entre le CE2 et le CM1, je m'endormais en priant pour que je me réveille en fille", raconte Diana qui a grandi dans l'Iowa, élevée par une mère luthérienne pratiquante, considérant les travestis comme des malades à réparer à coup d'électrochocs. En croisant les points de vue, à travers les témoignages souvent poignants des protagonistes directs mais aussi de leurs descendants, Sébastien Lifshitz recompose le puzzle de cette poche de résistance passée sous silence et en révèle l'audace folle.
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À partir d'une collection inédite de photos amateurs, le réalisateur y retrace de passionnants récits d'émancipation.\n \n \n \n Sur un plateau télé, quatre femmes sont alignées sur un canapé. Elles portent des diadèmes et des robes sexy. Hors champ, une voix masculine demande à la première : "Ce sont vos vrais cils ?" "Non", répond-elle. Puis la voix questionne une élégante blonde prénommée Simone : "Où avez-vous acheté cette robe ?" "Je l'ai faite moi-même", répond-elle. Face caméra désormais, le présentateur révèle que derrière ces "charmantes candidates" se cachent des hommes, donc des hors-la-loi. Par cette archive introductive, le réalisateur Sébastien Lifshitz pose d'emblée le contexte historique. Dans l'Amérique puritaine des années 1960, se travestir est un délit et une prise de risque énorme. C'est cette histoire secrète qu'il s'apprête à raconter : celle d'une communauté de travestis se réunissant régulièrement dans une maison isolée des Catskills, un havre montagneux de l'État de New York, pour y vivre librement leur identité féminine. Près de soixante ans plus tard, le réalisateur filme Kate et Diana, deux membres de la Casa Susanna, ce lieu d'affranchissement collectif qui a changé leur vie. Dans la lumière rasante d'une fin d'après-midi, face à la maison en bardage blanc encore debout, Kate raconte : "Pour la première fois, je pouvais parler de choses que je n'imaginais même pas." Diana se souvient, elle, de son émotion quand, à peine entrée dans la maison, elle se voit proposer une mise en pli. "Personne ne m'avait jamais coiffée. Gloria m'a offert des talons. Les gens me sifflaient. C'était incroyable à quel point ces petits plaisirs étaient palpitants."\n \n Vies parallèles\n Pendant dix ans, ces réunions clandestines ont été photographiées pour composer des albums-souvenirs à usage privé. Découverte par hasard par un couple d'antiquaires, l'exceptionnelle collection de photos amateurs qui a documenté ce phalanstère a permis de faire renaître en images ces séjours où, habillées en femmes chics de la ville, les habituées de la Casa Susanna s'organisaient une vie parallèle à l'écart d'un monde qui les réprimait. "Entre le CE2 et le CM1, je m'endormais en priant pour que je me réveille en fille", raconte Diana qui a grandi dans l'Iowa, élevée par une mère luthérienne pratiquante, considérant les travestis comme des malades à réparer à coup d'électrochocs. En croisant les points de vue, à travers les témoignages souvent poignants des protagonistes directs mais aussi de leurs descendants, Sébastien Lifshitz recompose le puzzle de cette poche de résistance passée sous silence et en révèle l'audace folle. 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Infos complémentaires
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Réalisateur :
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Langue de l'expression :Anglais (Australie)
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Durée : 01h33