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Élevée par une mère cinéaste, Nadine, et un père acteur, Jean-Louis, avec qui elle nouera une tendre complicité artistique, Marie Trintignant rêve très tôt de devenir actrice, même si elle prétend, pince-sans-rire, dans une interview, avoir hésité entre "vétérinaire et courtisane". Après avoir tourné enfant dans Défense de savoir, réalisé par sa mère, qui lui offrira plusieurs rôles marquants, elle fait des débuts fracassants dans Série noire d'Alain Corneau, son beau-père. Novice passionnée, elle se met à nu, au sens propre comme au figuré, dans un climat heureusement bienveillant. "Je me jetais dans tout, prête à mourir à chaque prise parce que je n'avais pas de métier, parce que j'avais Patrick [Dewaere] en face qui donnait tellement qu'on ne pouvait pas être neutre", raconte-t-elle. Alors âgée de 17 ans, elle se dit que ce métier qu'elle prend trop à cœur risque de la briser. Elle apprendra à mettre de la distance, notamment en travaillant pour l'ami Chabrol, dans une ambiance décontractée qui lui fait le plus grand bien. "Il m'a fait comprendre que dans le ludisme on allait plus loin", commente-t-elle. Défaite, en larmes, la comédienne atteint des sommets d'interprétation dans Betty, où elle joue le rôle d'une femme alcoolique en rupture avec sa famille. Elle tourne aussi avec Ettore Scola, Pierre Salvadori, Michel Deville, et découvre au théâtre le plaisir des répétitions et du contact avec le public. Séduit par son jeu, Jean-Pierre Marielle, qui lui donne la réplique dans Le retour d'Harold Pinter, se déclare "son groupie".\n \n \n \n Lettre d'amour \n Dix-huit ans après sa mort, la réalisatrice Nadine Trintignant signe un portrait juste et bouleversant de sa fille, avec, pour commentaire, la lettre d'amour posthume qu'elle lui adresse. À la fin du film, elle évoque avec une touchante sobriété le drame qui brisa sa vie, en reliant le sort de sa fille à celui de toutes les femmes battues. Débordant d'émotion, à l'image du jeu incandescent de l'actrice, ce documentaire, affectueux tissage d'archives, d'extraits de films, de coulisses de tournages et de répétitions – dont une séquence douce et enjouée avec François Cluzet qui fut son compagnon et avec qui elle écrivit une pièce à la poésie fantasque –, révèle la femme attachante, bourrée de charme, d'intelligence et d'humour que fut Marie Trintignant. 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Élevée par une mère cinéaste, Nadine, et un père acteur, Jean-Louis, avec qui elle nouera une tendre complicité artistique, Marie Trintignant rêve très tôt de devenir actrice, même si elle prétend, pince-sans-rire, dans une interview, avoir hésité entre "vétérinaire et courtisane". Après avoir tourné enfant dans Défense de savoir, réalisé par sa mère, qui lui offrira plusieurs rôles marquants, elle fait des débuts fracassants dans Série noire d'Alain Corneau, son beau-père. Novice passionnée, elle se met à nu, au sens propre comme au figuré, dans un climat heureusement bienveillant. "Je me jetais dans tout, prête à mourir à chaque prise parce que je n'avais pas de métier, parce que j'avais Patrick [Dewaere] en face qui donnait tellement qu'on ne pouvait pas être neutre", raconte-t-elle. Alors âgée de 17 ans, elle se dit que ce métier qu'elle prend trop à cœur risque de la briser. Elle apprendra à mettre de la distance, notamment en travaillant pour l'ami Chabrol, dans une ambiance décontractée qui lui fait le plus grand bien. "Il m'a fait comprendre que dans le ludisme on allait plus loin", commente-t-elle. Défaite, en larmes, la comédienne atteint des sommets d'interprétation dans Betty, où elle joue le rôle d'une femme alcoolique en rupture avec sa famille. Elle tourne aussi avec Ettore Scola, Pierre Salvadori, Michel Deville, et découvre au théâtre le plaisir des répétitions et du contact avec le public. Séduit par son jeu, Jean-Pierre Marielle, qui lui donne la réplique dans Le retour d'Harold Pinter, se déclare "son groupie".\n \n \n \n Lettre d'amour \n Dix-huit ans après sa mort, la réalisatrice Nadine Trintignant signe un portrait juste et bouleversant de sa fille, avec, pour commentaire, la lettre d'amour posthume qu'elle lui adresse. À la fin du film, elle évoque avec une touchante sobriété le drame qui brisa sa vie, en reliant le sort de sa fille à celui de toutes les femmes battues. Débordant d'émotion, à l'image du jeu incandescent de l'actrice, ce documentaire, affectueux tissage d'archives, d'extraits de films, de coulisses de tournages et de répétitions – dont une séquence douce et enjouée avec François Cluzet qui fut son compagnon et avec qui elle écrivit une pièce à la poésie fantasque –, révèle la femme attachante, bourrée de charme, d'intelligence et d'humour que fut Marie Trintignant. 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=> "Type de support matériel" "lang" => "CONCEPT-fr" ] ] ] "entity" => array:7 [ "identifier" => "632cc668-bff6-4a09-b689-5dfe61b15709" "enPreferredTerm" => "ressource dématérialisée" "templateExpression" => null "terms" => array:1 [ 0 => array:3 [ "identifier" => "ffe2a157-a2ed-4a43-b977-d232867c2993" "templateExpression" => "ressource dématérialisée" "isPreferredTerm" => true ] ] "frPreferredTerm" => "ressource dématérialisée" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "ressource dématérialisée" ] ] ] ] "titleOfManifestation" => array:1 [ 0 => "Marie Trintignant - Tes rêves brisés" ] "mediaType" => array:1 [ 0 => array:3 [ "entityWithQualif" => "42c30ea4-e49a-42a2-ba47-acf74f2c16ad#842ff788-7988-41a7-a123-6764186e3383" "qualif" => array:2 [ "identifier" => "842ff788-7988-41a7-a123-6764186e3383" "terms" => array:1 [ 0 => array:2 [ "identifier" => "9fab2718-692b-4f31-8788-96a32edd42ee" "templateExpression" => "Type de médiation" ] ] ] "entity" => array:7 [ "identifier" => "42c30ea4-e49a-42a2-ba47-acf74f2c16ad" "enPreferredTerm" => "électronique" "templateExpression" => null "terms" => array:1 [ 0 => array:3 [ "identifier" => "983c0d52-5c38-4e58-b5d6-f74f20a431f7" "templateExpression" => "électronique" "isPreferredTerm" => true ] ] "frPreferredTerm" => "électronique" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "électronique" ] ] ] ] "compositeOfProductionOfManifestation" => array:1 [ 0 => array:3 [ "dateOfProduction" => array:1 [ 0 => "01/01/2020" ] "placeOfProduction" => array:1 [ 0 => array:3 [ "entityWithQualif" => "cc9153f4-b69a-4bd7-abe5-c108c7522db1#9ca9b508-b68d-4ac8-b5d4-f6ec540bcc91" "qualif" => array:2 [ "identifier" => "9ca9b508-b68d-4ac8-b5d4-f6ec540bcc91" "terms" => array:1 [ 0 => array:3 [ "identifier" => "bbebd0e7-77da-4646-b4ae-8cf85fce1c8d" "templateExpression" => "Lieu de publication" "lang" => "CONCEPT-fr" ] ] ] "entity" => array:7 [ "identifier" => "cc9153f4-b69a-4bd7-abe5-c108c7522db1" "enPreferredTerm" => "Frankfurt am Main" "templateExpression" => null "terms" => array:2 [ 0 => array:5 [ "identifier" => "1667bb4a-9369-48d4-b3fc-e98696c1f070" "templateExpression" => "Frankfurt am Main" "localisation" => array:2 [ 0 => "Hesse" 1 => "Allemagne" ] "libelle" => array:1 [ 0 => "Frankfurt am Main" ] "isPreferredTerm" => true ] 1 => array:5 [ "identifier" => "0bd0dde5-7251-4b9c-8b33-39e217dbf53b" "templateExpression" => "Francofordia" "localisation" => array:1 [ 0 => "Hesse" ] "libelle" => array:1 [ 0 => "Francofordia" ] "isPreferredTerm" => false ] ] "frPreferredTerm" => "Frankfurt am Main" "type" => "CONCEPT" "preferredTerms" => array:1 [ 0 => "Frankfurt am Main" ] ] ] ] "dateOfProduction#date" => array:1 [ 0 => "2020-01-01" ] ] ] "framework" => array:4 [ "identifier" => "f4f85fa7-a659-4ec0-8c47-520a2778833a" "code" => "DOC" "name" => "Grille de catalogage" "type" => "CATALOGING" ] "entityRelation" => array:2 [ "parent" => "c64eb328-5ba6-442f-b757-1fe75aad3e76" "name" => "manifestations" ] "updatable" => true "suggestions" => array:1 [ 0 => "Marie Trintignant - Tes rêves brisés" ] "originalId" => "67669" "_dateOfPublicationOfManifestation" => "2022-03-09" ] "exemplaires" => [] "template_notice" => """ {{dump()}}\n \n <div class="opac template_notice">\n {% set work = element.work %}\n {% set workId = work.identifier %}\n {% set frameworkId = work.framework.identifier %}\n \t\n \t{# TITRE NOTICE #}\n \t<div class ="notice_titre">\n \t\t{% set titreExpression = property_values(element.expression, "titleOfExpression") %}\n \t\t{% if titreExpression|length > 0 %}\n \t\t\t{{ drupal_block('disp_block', {entity:element.expression, property:"titleOfExpression"}) }}\n \t\t{% else %}\n \t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"titleOfWork"}) }}\n \t\t\t{% set complementTitre = property_values(element.work, "complementTitreOeuvre") %}\n \t\t\t{% if complementTitre|length > 0 and complementTitre[0]|lower == "roman" %}\n \t\t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"complementTitreOeuvre"}) }}\n \t\t\t{% endif %}\t\n \t\t\t{% set titrePartie = property_values(element.work, "titrePartieOeuvre") %}\n \t\t\t{% if titrePartie|length > 0 %}\n \t\t\t\t-\n \t\t\t\t{{ drupal_block('disp_block', {entity:element.work, property:"titrePartieOeuvre"}) }}\n \t\t\t{% endif %}\t\n \t\t{% endif %}\n \t</div>\n \t\n \t{# AUTEUR NOTICE #}\n \t<div class ="notice_auteur text-underline">\n \t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, linkNumber:"2"}) }}\n \t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToCorporateBodyOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, linkNumber:"2"}) }}\n \t</div>\n \t\n \t<div class="notice_content responsive-flex-row-to-col">\n \t\t{% if element.manifestation %}\n \t\t\t<div class="notice_left display-flex-col row-gap-0-5">\n \t\t\t\t\n \t\t\t\t{# VIGNETTE NOTICE #}\n \t\t\t\t{{ drupal_block('cover_block', {entityId:element.manifestation.identifier, entityType:"manifestation", class:"vignette_notice"}) }}\n \t\t\t\t\n \t\t\t\t{# TYPE D'OEUVRE #}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.expression, property:"newTypeOfWork", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"localCarrierType", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\t\n \t\t\t\t{# TAGS #}\n \t\t\t\t{{ drupal_block('novelty_block', { work:work, class:'search_result_novelty' }) }}\n \n \t\t\t</div>\n \t\t\t\n \t\t\n \t\t\t<div class="notice_right flex-1 display-flex-col row-gap-1">\n \t\t\t\t\n \t\t\t\t{# RESUME NOTICE #}\n \t\t\t\t{% if property_values(element.expression, "summarizationOfContent")|length > 0 %}\n \t\t\t\t\t{{ drupal_block('disp_block', {entity:element.expression, property:"summarizationOfContent", type:"html"}) }}\n \t\t\t\t{% endif %}\n \t\t\t\t\n \t\t\t\t{# MANIFESTATIONS #}\n \t\t\t\t<div class="manifestations">\n \t\t\t\t\t\t\n \t\t\t\t\t{# MANIFESTATION SELECTIONNEE #}\n \t\t\t\t\t<div class="manifestation">\n \t\t\t\t\t\t{% set manifestation = element.document.manifestation %}\n \t\t\t\t\t\t{% set exemplaires = pool_items(element.document.items) %}\n \t\t\t\t\t\t{% include(template_from_string(element.template_manifestation)) %}\n \t\t\t\t\t</div>\t\t\n \t\t\t\t\t\n \t\t\t\t\t{# AUTRES MANIFESTATIONS #}\n \t\t\t\t\t{% if element.documentsOfManifestations|length > 0 %}\n \t\t\t\t\t\t<div class="autres_manifestations">\n \t\t\t\t\t\t\t<p><b> Autres formats et éditions </b></p>\n \t\t\t\t\t\t\t<ul class="display-flex-col row-gap-1">\n \t\t\t\t\t\t\t{% set maxNb = 2 %}\n \t\t\t\t\t\t\t{% set break = false %}\n \t\t\t\t\t\t\t{% for document in element.documentsOfManifestations if not break %}\n \t\t\t\t\t\t\t\t\t{% set manifestation = document.manifestation %}\n \t\t\t\t\t\t\t\t\t{% set exemplaires = pool_items(document.items) %}\n \t\t\t\t\t\t\t\t{% if loop.index - 1 < maxNb %}\n \t\t\t\t\t\t\t\t\t<li>{{ include(template_from_string(element.template_manifestation)) }}</li>\n \t\t\t\t\t\t\t\t{% else %}\n \t\t\t\t\t\t\t\t\t{% set break = true %}\n \t\t\t\t\t\t\t\t\t<div><a class="use-ajax" href="/show-more-manifestations-dialog/{{workId}}?expressionId={{expressionId}}&frameworkId={{frameworkId}}&size=12&title=Tous les formats et éditions"> Afficher tous les formats et éditions (+{{element.totalManifestations - maxNb - 1}}) > </a></div>\n \t\t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% endfor %}\n \t\t\t\t\t\t\t</ul>\n \t\t\t\t\t\t</div>\n \t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\n \t\t\t\t</div>\n \t\t\t\t\n \t\t\t\t\t\t\t\n \t\t\t\t{# AUTRES EXPRESSIONS #}\t\n \t\t\t\t{% if element.documentsOfExpressions|length > 0 %}\n \t\t\t\t\t<div class="autres_expressions">\n <p><b> Autres versions </b></p>\n \t\t\t\t\t\t<ul class="display-flex col-gap-1">\n \t\t\t\t\t\t\t{% set maxNb = 2 %}\n \t\t\t\t\t\t\t{% set break = false %}\n \t\t\t\t\t\t{% for documents in element.documentsOfExpressions if not break %}\n \t\t\t\t\t\t\t{% set expression = documents[0].expression %}\n \t\t\t\t\t\t\t{% if loop.index - 1 < maxNb %}\n \t\t\t\t\t\t\t{% set opacUrl = "/opac?workId="~workId~"&expressionId="~expression.identifier %}\n \t\t\t\t\t\t\t\t<li class="flex-0-5"><a href="{{opacUrl}}"><div class="opac_linked_card">{{ include(template_from_string(element.template_expression)) }}</div></a></li>\n \t\t\t\t\t\t\t{% else %}\n \t\t\t\t\t\t\t\t{% set break = true %}\n \t\t\t\t\t\t\t\t<div><a class="use-ajax" href="/show-more-expressions-dialog/{{workId}}?frameworkId={{frameworkId}}&size=12&title=Toutes les versions"> Afficher toutes les versions (+{{element.totalExpressions - maxNb}}) ></a></div>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t{% endfor %}\n \t\t\t\t\t\t</ul>\n \t\t\t\t\t</div> \n \t\t\t\t{% endif %}\n \n \t\t\t\t{{dump(element.work)}}\n \t\t\t\t{{dump(element.expression)}}\n \t\t\t\t{{dump(element.manifestation)}}\n \t\t\n \t\t\t\t{# ACCORDEON INFOS MANIFESTATION#}\n \t\t\t\t<div class="syrtis-accordion accordion_generic notice_accordion notice_accordion_infos">\n \t\t\t\t\t<div class="accordion_generic_section active"> Infos complémentaires </div>\n \t\t\t\t\t<div class="accordion_generic_panel active">\n \t\t\t\t\t\t<div class="accordion_generic_panel_container">\n \t\t\t\t\t\t\t<ul class="display-flex opac_responsive_4_columns">\n \t\t\t\t\t\t\t{% if property_values(element.work, "originalLanguageOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"originalLanguageOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% if property_values(element.work, "compositeLinkToCreatorOfWork.linkToPersonOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:true, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.work, "linkToCorporateBodyOfWork")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.work, property:"linkToCorporateBodyOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "linkToPersonOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"linkToPersonOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "linkToCorporateBodyOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"linkToCorporateBodyOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "linkToContributorPersonToManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"linkToContributorPersonToManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "linkToContributorCOrporateBodyToManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"linkToContributorCOrporateBodyToManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "intendedAudienceOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"intendedAudienceOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "languageOfExpression")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.expression, property:"languageOfExpression", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.expression, "duration")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('disp_block', {entity:element.expression, property:"duration", propertyLabel:"Durée", class:"display-flex-col" }) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "compositeOfPhysicalDescriptionOfManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"compositeOfPhysicalDescriptionOfManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\n \t\t\t\t\t\t\t{% if property_values(element.manifestation, "contentManifestation")|length > 0 %}\n \t\t\t\t\t\t\t\t<li>{{ drupal_block('link_disp_block', {entity:element.manifestation, property:"contentManifestation", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}</li>\n \t\t\t\t\t\t\t{% endif %}\t\n \t\t\t\t\t\t\t</ul>\t\t\t\t\t\t\t\n \t\t\t\t\t\t</div>\n \t\t\t\t\t</div>\n \t\t\t\t</div>\t\n \t\t\t</div>\n \t\t{% else %}\n \t\t\t\n \t\t\t{# INFOS SERIE#}\n \n \t\t\t<div class="display-flex col-gap-1 row-gap-1 flex-wrap">\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:true, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t\t{{ drupal_block('link_disp_block', {entity:element.work, property:"compositeLinkToCreatorOfWork.linkToPersonOfWork", linkToSearch:"none", viewConceptLink:false, tooltipEnable:false}) }}\n \t\t\t</div>\n \t\t\t\n \t\t{% endif %}\n \t\t\n \t</div>\n \t\n \t{# LIENS VERS LES PARTIES D'UNE SERIE #}\n \t{% if not manifestation %}\n \t\t{{ drupal_block('relation_block', {entityId: workId, entityType:"work", frameworkProperty:"linkToPartOfWork", sortFrameworkProperty:"numberingOfPart" }) }}\n \t{% endif %}\n \t\n \t{# BLOC OEUVRE LIEES #}\n \t{% if element.manifestation and element.search %}\n \t\t{{ drupal_block('search_results_block', {args: {blocks: [{type: "complete", title: "Oeuvres liées", linkall: "Voir toutes les oeuvres et adaptations" }]}}) }}\n \t{% endif %} """ "template_manifestation" => """ <div class="opac template_manifestation responsive-flex-row-to-col opac_section">\n \t<div class="template_manifestation_left display-flex flex-1 col-gap-1">\n \t\t\n \t\t{# VIGNETTE MANIFESTATION #}\n \t\t{{ drupal_block('cover_block', {entityId:manifestation.identifier, entityType:"manifestation", class:"mini_vignette"}) }}\n \t\t\n \t\t<div class="template_manifestation_center flex-1">\n \t\t\t{# TYPE DE SUPPORT #}\n \t\t\t{{ drupal_block('link_disp_block', {entity:manifestation, property:"localCarrierType", linkToSearch:"none", viewConceptLink:false, noLabel:true, tooltipEnable:false, class:"titre_entite"}) }}\n \t\t\t\n \t\t\t<div class="editeur display-flex col-gap-0-25">\n \t\t\t\t{# EDITEUR #}\n \t\t\t\t{% for publication in manifestation.compositeOfPublicationOfManifestation %}\n \t\t\t\t\t{{ drupal_block('link_disp_block', {entity:publication, property:"publisherCorporateBody", linkToSearch:"none", viewConceptLink:false, noLabel:true}) }}\n \t\t\t\t\t{% set collection = property_values(publication, "newCollecLabel") %}\n \t\t\t\t\t{% if collection|length > 0 %}\n \t\t\t\t\t\t- {{ drupal_block('disp_block', {entity:publication, property:"newCollecLabel"}) }}\n \t\t\t\t\t{% endif %}\n \t\t\t\t\t{% set 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Marie Trintignant - Tes rêves brisés
Trintignant Nadine - 1934-....
Ressource numérique
Dix-huit ans après sa mort, ce poignant portrait, tendrement orchestré par sa mère Nadine, dévoile la formidable comédienne et la femme éperdument attachante que fut Marie Trintignant.
Sa fin tragique en août 2003, à 41 ans, sous les coups de son compagnon, a éclipsé son parcours de comédienne. Élevée par une mère cinéaste, Nadine, et un père acteur, Jean-Louis, avec qui elle nouera une tendre complicité artistique, Marie Trintignant rêve très tôt de devenir actrice, même si elle prétend, pince-sans-rire, dans une interview, avoir hésité entre "vétérinaire et courtisane". Après avoir tourné enfant dans Défense de savoir, réalisé par sa mère, qui lui offrira plusieurs rôles marquants, elle fait des débuts fracassants dans Série noire d'Alain Corneau, son beau-père. Novice passionnée, elle se met à nu, au sens propre comme au figuré, dans un climat heureusement bienveillant. "Je me jetais dans tout, prête à mourir à chaque prise parce que je n'avais pas de métier, parce que j'avais Patrick [Dewaere] en face qui donnait tellement qu'on ne pouvait pas être neutre", raconte-t-elle. Alors âgée de 17 ans, elle se dit que ce métier qu'elle prend trop à cœur risque de la briser. Elle apprendra à mettre de la distance, notamment en travaillant pour l'ami Chabrol, dans une ambiance décontractée qui lui fait le plus grand bien. "Il m'a fait comprendre que dans le ludisme on allait plus loin", commente-t-elle. Défaite, en larmes, la comédienne atteint des sommets d'interprétation dans Betty, où elle joue le rôle d'une femme alcoolique en rupture avec sa famille. Elle tourne aussi avec Ettore Scola, Pierre Salvadori, Michel Deville, et découvre au théâtre le plaisir des répétitions et du contact avec le public. Séduit par son jeu, Jean-Pierre Marielle, qui lui donne la réplique dans Le retour d'Harold Pinter, se déclare "son groupie".
Lettre d'amour
Dix-huit ans après sa mort, la réalisatrice Nadine Trintignant signe un portrait juste et bouleversant de sa fille, avec, pour commentaire, la lettre d'amour posthume qu'elle lui adresse. À la fin du film, elle évoque avec une touchante sobriété le drame qui brisa sa vie, en reliant le sort de sa fille à celui de toutes les femmes battues. Débordant d'émotion, à l'image du jeu incandescent de l'actrice, ce documentaire, affectueux tissage d'archives, d'extraits de films, de coulisses de tournages et de répétitions – dont une séquence douce et enjouée avec François Cluzet qui fut son compagnon et avec qui elle écrivit une pièce à la poésie fantasque –, révèle la femme attachante, bourrée de charme, d'intelligence et d'humour que fut Marie Trintignant.
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Élevée par une mère cinéaste, Nadine, et un père acteur, Jean-Louis, avec qui elle nouera une tendre complicité artistique, Marie Trintignant rêve très tôt de devenir actrice, même si elle prétend, pince-sans-rire, dans une interview, avoir hésité entre "vétérinaire et courtisane". Après avoir tourné enfant dans Défense de savoir, réalisé par sa mère, qui lui offrira plusieurs rôles marquants, elle fait des débuts fracassants dans Série noire d'Alain Corneau, son beau-père. Novice passionnée, elle se met à nu, au sens propre comme au figuré, dans un climat heureusement bienveillant. "Je me jetais dans tout, prête à mourir à chaque prise parce que je n'avais pas de métier, parce que j'avais Patrick [Dewaere] en face qui donnait tellement qu'on ne pouvait pas être neutre", raconte-t-elle. Alors âgée de 17 ans, elle se dit que ce métier qu'elle prend trop à cœur risque de la briser. Elle apprendra à mettre de la distance, notamment en travaillant pour l'ami Chabrol, dans une ambiance décontractée qui lui fait le plus grand bien. "Il m'a fait comprendre que dans le ludisme on allait plus loin", commente-t-elle. Défaite, en larmes, la comédienne atteint des sommets d'interprétation dans Betty, où elle joue le rôle d'une femme alcoolique en rupture avec sa famille. Elle tourne aussi avec Ettore Scola, Pierre Salvadori, Michel Deville, et découvre au théâtre le plaisir des répétitions et du contact avec le public. Séduit par son jeu, Jean-Pierre Marielle, qui lui donne la réplique dans Le retour d'Harold Pinter, se déclare "son groupie".\n \n \n \n Lettre d'amour \n Dix-huit ans après sa mort, la réalisatrice Nadine Trintignant signe un portrait juste et bouleversant de sa fille, avec, pour commentaire, la lettre d'amour posthume qu'elle lui adresse. À la fin du film, elle évoque avec une touchante sobriété le drame qui brisa sa vie, en reliant le sort de sa fille à celui de toutes les femmes battues. Débordant d'émotion, à l'image du jeu incandescent de l'actrice, ce documentaire, affectueux tissage d'archives, d'extraits de films, de coulisses de tournages et de répétitions – dont une séquence douce et enjouée avec François Cluzet qui fut son compagnon et avec qui elle écrivit une pièce à la poésie fantasque –, révèle la femme attachante, bourrée de charme, d'intelligence et d'humour que fut Marie Trintignant. 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Infos complémentaires
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Réalisateur :
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Langue de l'expression :Français
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Durée : 00h52